DYING BREATH READ ALONG
DAY 1: PROLOGUE THROUGH CHAPTER 3

It all
began–as many of my books do–with a casual suggestion from my
editor, John Scognamiglio. “Why don’t you do a beach book?”
Because John and I have been working together since the dawn of my
career, I trust him implicitly. He’s always had a great instinct
for timing when it comes to settings, plots, etc.–if he mentions
that he senses a hot trend, I pay attention.
So when he said “beach book,” I said, “Great!” and took off running
with the concept. I had already been simmering the idea of a book
about a woman who has premonitions about missing kids–and then
begins seeing her own child in her visions. The time was right to
use that premise.
Before I sat down to write the proposal, I had to figure out where
the book should be set. I am a beach person and have visited many,
in every state from New England to Florida, the Carribbean and
Mexico, California, Oregon, and even Alaska. So choosing the locale
was hardly a no brainer–I’m in love with too many of them!

I settled on
the Jersey Shore and Long Beach Island in part because it’s close
enough to home for me to visit easily, and in part because of an
interesting bit of island lore. My first visit to the island was
back in the summer of 1988, when a friend of mine was doing summer
stock at the Surflight Theater. I learned that a legend had been
born on the island: the shocking, horrific great white shark
attacks of 1916 began with an attack at Beach Haven. That event
went on to inspire one of the greatest horror novels (and movies)
of all time, Peter Benchley’s Jaws. More recently, it was
brilliantly covered in one of my favorite nonfiction titles,
Michael Capuzzo’s Close to Shore. I was captivated by the idea of a
serial killer trolling the idyllic beaches much like the Great
White Shark had almost a century ago.

But when I
wrote the prologue and first chapter about 18 months ago, I felt as
though something was “off” about it. I wasn’t sure what was
wrong–the writing just wasn’t flowing. I handed it to my husband to
read, and he gave it back with pages full of notes and the comment,
“You usually write great stuff–this is pretty bad.”
I’m not sure exactly what had gone wrong...but he was right. It was
bad! I scrapped just about everything, other than the character,
setting, and premise, and got back to work from scratch. The next
version pretty much wrote itself–as my books usually do–and I knew
it was much stronger even before Mark–and then John–gave it a huge
thumbs-up.
As always, I have drawn from bits and pieces of my life, but never
lift anything, or anyone, intact. Some of the characters are
composites of people I have known. Others seem to leap to the page
fully formed and take on a life of their own.
You’ll notice that newlywed Cam is employed as an editorial
assistant in the novel’s prologue. While her character overall
bears very little resemblance to me, personally, this is one
element I took from my own life. I worked entry level in a
publishing house as a newlywed. My salary was pitifully low and my
husband and I existed on a shoestring in the early days of our
marriage.
Like Cam and Mike, we decided that the grass must be greener beyond
the concrete perimeter of New York City. But while Cam and Mike
moved west to New Jersey in DYING BREATH, we moved East to Rhode
Island in real life. We eventually grew homesick for New York City
and returned when our firstborn was just a few months old.
I wanted to recapture, in this novel, that restless, impoverished
era in our lives–however, I’m happy to report that our has marriage
fared much better than Cam and Mike’s!
While researching my young adult paranormal series, LILY DALE, I’ve
interviewed a number of mediums and psychics and have done
extensive research on the topic. All that information came in handy
when I decided to create my heroine who had begun having psychic
visions at a young age. I had read and heard that often, budding
psychics are frightened by their visions–and that they are
susceptible to drug and alcohol abuse. They sometimes turn to
self-medication to block out, or help them cope with, the
visions.
I decided to make Cam a darker heroine than my usual stay-at-home
moms, giving her a history with alcoholism and recovery. As part of
the research early last spring, I checked stacks of books on AA and
alcohol addiction out of the library. It didn’t occur to me until
later, when one of the librarians asked me–with a little too much
kind concern–“How are you?”--that my pals at the library must have
assumed that I had a little problem myself. Thank goodness that
isn’t the case!

Cam’s name
comes from Camden, New Jersey–which I used as her hometown in DYING
BREATH. That idea was inspired by a powerful ABC news/20/20 segment
with Diane Sawyer, which was first aired a few years ago, and has
haunted me ever since. The segment was about the children of
Camden, NJ, the “poorest town in America.” An update aired just a
few months ago, and I was so glad to see the outpouring from 20/20
viewers who, as I was, were moved to help the beautiful,
impoverished children. You can help, too! Read more about these
children here:
http://abcnews.go.com/2020/story?id=3837382&page=1
While the beach comes into play later in the story, I needed an
upscale New Jersey suburb for the early scenes. I chose Monclair
because Mark’s aunt and uncle live there (right down the street
from one of Mark’s heroes, Yogi Berra!). Whenever we visit them,
I’m captivated by the striking architecture of all those beautiful
mansions on tree-lined streets. It seemed the perfect place to have
had my heroine and her husband go when they sought a “safe” place
to raise their daughter. And as my regular readers know, there is
nothing more frightening than terror striking in the place where
you feel safest.
Another tidbit: You know Eddie Casalino from Chapter Three? I stole
his last name from my cousins Kristin, Gregg and Andrew. But I like
them better. :-)
Tomorrow, we’ll read chapters 4 through 9! Look for the heroine of
my next thriller, DYING LIGHT, to make her first appearance!
Meanwhile, the first person to email me before noon today at
contactwcsc@yahoo.com with the name of the Pink Floyd song whose
lyrics Cam applies to her own sad condition will win an autographed
copy of one of my previously published suspense novels!
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