What should authors look for in an agent?

My own agent, Laura Blake Peterson at Curtis Brown, Ltd, has not only been an ear and a shoulder, tirelessly championing me and defending my best interests during contract negotiations and sticky publishing situations, but she has also opened the door to a number of unexpected book deals through her editorial contacts. She is always accessible to me, which is important--I know that I matter. You have to have an agent who believes in your work, obviously.

Many writers prefer smaller agencies or solo agents and find them more personalized, nurturing, and hands-on. Personally, having been there, done that, I’m more comfortable being with a big New York agency because that’s where Laura is, because I live here, and because they also have separate legal, foreign rights, and film departments. It’s important to remember that neither agency scenario will make nor break a career–it’s all about what suits your individual style.

Some bestselling authors are represented by small agencies or solo agents outside of New York. The most important criteria in choosing an agent is that you and she/he need to “click” on every level, and have the same vision for your career path and future goals. You really need to trust that person and be willing to put your “life” (i.e., career) in their hands. In the end, it’s a lot like embarking on a romantic relationship. Listen to your instincts and let them guide you. And if the relationship isn’t working, don’t hesitate to break up!